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About Capsule


Capsule curate and present live music,  events, exhibitions and an annual Sonic / visual Festival - Supersonic.
We have received Best Brand and Best International Business awards in 2005 from the Creative City awards, and most recently have been voted 2007 best music festival by Plan B Magazine. Amoungst other activity we co-ordinate the British presence at Sonar Festival in Barcelona.

Capsule provide a platform for creative and experimental practice, through the promotion and presentation of sonic / visual work. Founded in December 1999 our formula for mixing music and art continues to see an enthusiastic and diverse audience in attendance at all events.

Supersonic = a sonic/visual festival curated & promoted by Capsule.
Supersonic festival is an eclectic and experimental playground, where new and emergent talent exhibit their skills alongside established and world-renowned practitioners. Whilst the focus is on experimental sonic work, supersonic acts an umbrella for creative and experimental practice in any media or art form.


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"The Supersonic festival at the Custard Factory was one of the most ambitious and eclectic I have ever had the pleasure of playing at in the UK. The only thing that I know of that compares would be Sonar in Barcelona for diversity, setting, presentation and sheer love of music.
Sonar is now 11years old and THE place to be every July to hear experimental music in Europe...with time - perhaps Birmingham will be flooded with the sort of crowds seen in Spain each year."
Strictly Kev - DJ FOOD (ninja tune)


”AS British music festivals go, Birmingham’s annual Supersonic event is the best kind of mixed musical bag, a dizzying assortment of avant rock textures and Heavy Metal thunder on a bill which swings from the sublime to the ridiculous without once seeming ostentatiously eclectic. Not only is the music consistently better than that of most UK weekenders, the atmosphere is equally enticing, making this the perfect festival for people who ‘wouldn’t normally do this kind of thing’…The organisers of Supersonic deserve credit for joining the dots between the cerebral pleasures of the avant garde and the primal pull of planet rock, striking a delicate balance between chin-stroking and headbanging few other British events bother to attempt. There’s a kind of straightforward karma at work here, the thought and care invested in making this event a worthwhile experience for all involved guarantees good word of mouth, and this in turn ensures its survival. One would like to think that Supersonic could provide a good example to the UK’s ailing – in terms of quality, rather than lucrativeness – festival circuit.”
The Wire 2006


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